Kate's Point of View

The Product of Creative Frustration

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Okay… Only If You Like the Writing Style

Book Review of “Mennonite in a Little Black Dress: A Memoir of Going Home” by Rhoda Janzen

The most recent venture of my book club was “Mennonite in a Little Black Dress: A Memoir of Going Home.” I missed the meeting where this book was selected so had no idea what to expect when I headed out to the bookstore. The sales lady pointed me in the direction of Women’s Memoirs. “Wow!” I thought. “Book club is going high brow!” Not exactly.

I don’t want to suggest that “Mennonite in a Little Black Dress: A Memoir of Going Home” is low brow, smutty or anything of that ilk. In fact, the author writes from her own recovering Mennonite, very educated, academic perspective. Her word choice is carefully crafted and impeccable, though at times forcing the reader to his or her dictionary.

It’s her style that made it not high brow. I wish I knew how to explain that in more specific terms. But I don’t. And I didn’t like her style. I dig editorials. I read several blogs religiously. I like writers who write in the same way I imagine they speak. It makes me feel like I am having a conversation with them.
I suspect that for many reader, they will feel like they are having a conversation with Rhoda Janzen throughout “Mennonite in a Little Black Dress: A Memoir of Going Home.” But me, I wanted to cut the conversation short.

This post originally appeared on Kate’s Point of View. © Kate. All rights reserved.

He had me, until the ending

Book Review of “The Lost Symbol” by Dan Brown

My brother really enjoys the Die Hard movies. I don’t bring this up because I think it’s his greatest quality. Quite to the contrary, I think it calls into question a lot about his taste. But it’s hard to blame the guy for falling prey to action-packed movies with lots of thing blowing up and a plot that keeps you on the edge of your seat. He’s not watching the films for something to ponder later. he’s watching them for the immediate gratification of watching Bruce Willis save the world. It’s the same reason I reach for a Dan Brown book.
As with his past novels, in “The Lost Symbol” places Robert Langdon in a matter of national, even international, importance. At the risk of his own life and those of many around him, he must rely on his knowledge of symbology to save the day. And spoiler alert: he does. And it’s great. (It’s even better if you are home hungover and have time to read about 400 pages in one day.)
I think Brown books are like doughnuts for me. At the mere sight of them I start to salivate and it takes all of my willpower not to just shove one in my mouth. And when I cave and scarf it down, I love the taste but 30 second later I am unsatisfied and guilty. Brown is consistently writing books that entertain me. I cannot put the books down and end up leaving dents in whatever chair / couch / bed I park myself on for hours on end. And almost always he has me until there very end when I close the book and wonder where my time went and acknowledge that the time spent was not worth it.
“The Lost Symbol” is particularly interesting to me. It focuses on Freemasons and all of the lore surrounding them. I am used to hearing conspiracies that make the group in question something to be suspicious of. Brown treats the Masons with nothing but respect and in his words, they became intriguing and admirable. I loved the inclusive nature of their organization as it pertained to religion and was impressed that, to the extent that Brown’s details are accurate, they can reach such a fine balance between religious and social.
And then the end. I won’t include a spoiler alert, but will say that everything I had been working up to and the impression I had of the Masons was for not. And I, the reader, was left unsatisfied and wondering where so many hours had gone.
This post originally appeared on Kate’s Point of View. © Kate. All rights reserved.

Loving Frank: Wondering What is Left For Me to Love

Book Review of “Loving Frank” by Nancy Horan

Nancy Horan’s first novel “Loving Frank” details the period of his life when he leaves his wife for one of his clients, Mamah Borthwick Cheney. Per Horan’s intention, the star of the book is really Mamah. During the time period of this book, the early 1900s, she is ahead of her time in terms of her views on motherhood, women’s right and woman working. But as much as she must have challenged the people who lived alongside her, she challenged me, the reader.

I agree with Mamah (and Frank Lloyd Wright) that no woman can be defined solely by motherhood or by being a wife. I am grateful that my choice not to start popping out babies has not turned me into some outcast. (Not enough progress has been made on this front, though. I am challenged to defend this perspective regularly and frequently met with “Oh, you’ll change your mind.”)

I agree with the notion that you do your children no favors by staying in an unhappy marriage / job / life. All that results from doing so is teaching them that being unhappy is okay and they they too should strive for such discontent in their own lives. We do much better by trying to attain happiness and fulfillment.

Where I struggled with this book is that I found both Mamah and Frank Lloyd Wright, particularly Wright, so unlikeable.

While it is okay to teach your children not to settle for average but instead to strive for success, there are some responsibilities you have to them as your parents. In “Loving Frank”, Horan details all of the irresponsibilities of Frank Lloyd Wright. He leaves his wife and six children to travel to Europe and have an affair. He doesn’t pay his employees, particularly the young architects who need the money more than anyone. He alternates by giving women chance in architecture and shooting them down as mere draftsman. What is there for the reader to like about him? Is his only redeeming quality the collection of buildings he left behind? Because that leaves me liking his talent but still not the man.

I felt similarly about Mamah. I am happy she had the courage to go out and succeed in life, independently of her husband. I am happy she did not settle to be a stay-at-home mom if that dud not give her pleasure. But isn’t part of being a responsible adult owning up to the choices you make and acting responsibly about them? Horan writes of Mamah leaving her kids to go to Europe and being grateful to her sister for watching the children. But not once do we read of Mamah portrayed asking her sister to watch the children. I know that sometimes things happen without a lot of forethought, even things like children. But it’s hard for me to accept the idea that it is okay to make children and to just leave them. Or more difficult for me to digest, to leave the children but assume that you have an open ticket to go back and reclaim them at any time.

I’m pleased that I completed reading “Loving Frank” and I do feel like I have better insight into Frank Lloyd Wright after having read it. I just wished I felt more love for him at the end of the story.

This post originally appeared on Kate’s Point of View. © Kate. All rights reserved.

Reverting Back to My Childhood Where I Read Under My Bedspread by Flashlight

Book Review of “The Golden Compass” by Philip Pullman

Recent recommendations to read “The Golden Compass” by Philip Pullman led me to the library and landed me at the gym more that anything else has lately. I started reading while riding a stationary bike and the book was so thrilling that I rode like a maniac while tearing through pages. Could a better review of a book be given?

I grew up with Lucy, Edmund, Susan and Peter of C.S. Lewis’ “The Lion the Witch and the Wardrobe.” I knew of no better books than the Narnia Chronicles and I’m quite certain I’ve read the series many times over. Whenever I’ve started new children’s science fiction books, I hold them to the standards of the Narnia Chronicles and I don’t think many books hold up!

I never got into Harry Potter in large part because I resented people falling over themselves with how new and great they were and not mentioning the obvious predecessors. But I digress.

The first line of “The Golden Compass” grabs you by your gut and pulls you into Lyra’s world. How could it not?! “Lyra and her daemon moved through the darkening hall, taking care to keep to one side, out of site of the kitchen.” I read it and I needed to know what a daemon was. So I read on. And fell in love. And am struggling because as I sit here writing this, “The Subtle Knife,” the second in the series, sits in my purse just waiting to be read.

This post originally appeared on Kate’s Point of View. © Kate. All rights reserved.

Little More Than Chick Lit

Book Review of “The Year That Follows” by Scott Lasser

“The Year That Follows” joins the growing proliferation of fiction novels that use September 11 as a backdrop to their plot. This book was enjoyable — a nice, light read, despite the serious time in which it takes place. To qualify it as more than chick lit would be difficult, though.

In this novel, Cat is a single mom finds herself losing family members — her mom while she is a young girl, her brother on September 11th and now her father is nearing the end of his life. Cat finds out her brother may have been a father and she is determined to find the son he never got to know. Her quest for the young boy is emotional, but made messy by a secondary plot line about Cat’s love life that seems trite and moves the book away from a serious drama to something a little to light to be taken seriously.

This post originally appeared on Kate’s Point of View. © Kate. All rights reserved.

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